GBarton over at Classic Rock Magazine just published a great interview with Chris Robinson of the Black Crowes on “What it takes to be a great Rock singer”. I’ve always been a huge fan of the Black Crowes and I play a lot of their songs on my guitar and try so sound like Chris- he’s awesome.
Here’s a bit of the interview…
Without being modest, what exactly makes you such a good singer?
“My father was a rock ‘n’ roll singer in the ’50s, and he didn’t think I was a very good singer, and didn’t encourage me much, but now he’s proud of me and realises what my talent is. I think it has something to do with honest expression. I probably wouldn’t get very far on American Idol. But this is rock ‘n’ roll. What comes out is who you are and how you live. Singing for me is very visceral. That’s the Southern side of me. Just get up there and do it. Open your mouth and hope a good sound comes out.
“There’s more to singing than hitting notes. Otis Redding sang out of key a lot, but he gave so much with his voice, it was as though he was taking a piece of himself in his hands and giving it to you. That always resonated with me. Rock ‘n’ roll is not a perfect science. The music that always grabs me by the heartstrings is the stuff that isn’t perfect but contains that exchange between the vocalist and audience. For me, that’s the way it has to be.”
Which other singers do you admire?
“Whether it was Otis Redding or Steve Marriott, it’s all about expression. That’s why Neil Young and Bob Dylan are great rock ‘n’ roll singers. I’m sure you’ve met people who don’t think Bob is a great singer, but his voice is honest within the material and cuts close to the bone, and there’s a sincerity to that. It’s the connection between the audience and the experience of what he’s singing about. Freddie Mercury had great emotional exchange too. You could get bogged down in tonalities. Paul Rodgers has a great tone to his voice as a great white blues singer. Or Rod Stewart, when he was starting out. But the stuff I learnt to sing with was Sly & the Family Stone and George Clinton’s Funkadelic records.”
What do you think is your best vocal performance?
“Early in our career, maybe something like Bad Luck Blue Eyes Goodbye from The Southern Harmony And Musical Companion [1992]. We were still very young; we made that record in a week, so we didn’t spend a lot of time fretting over it, and I think it’s a real heartfelt performance. And personally, I think Oh Josephine from the last album [Warpaint]. I always tend to go for the ballads, where the imagery and the vocal and the song convalesce into something. If I can’t believe in the stories and the words I’m saying, there’s no use singing it. That’s also true of the covers we choose to sing.
“What mood do I need to be in to give a vocal performance? When I was starting out, I was more at the whims of stuff like anger. Now I’m always ready to sing. Even when I’m tired. Even when I’m sick.”
The rest of the interview is here- Classic Rock » Blog Archive » The Black Crowes’ Chris Robinson On What It Takes To Be A Great Singer.
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